What Will Be The New Normal? :::::::::: Patience Is A Virtue :::::::::: Music and COVID-19 :::::::::: WHY IS MEMPHIS DOING THIS, AND NOT NEW ORLEANS? :::::::::: Battered, But Not Out :::::::::: Killing The Goose :::::::::: How A Cultural Fund Could Change New Orleans’ Future :::::::::: How Important Are The Grammys? :::::::::: Folk Alliance Conference may be as powerful as Jazz Fest in helping musicians’ careers. :::::::::: Why Don’t We Appreciate Local Music, And Why We Should ::::::::::

    Marc has also been active in the New Orleans theater community for over 30 years albeit not always as an actor. (A ruptured lower lumbar pair of discs in 2006 has curtailed his performance abilities allowing only few non-back breaking roles.)In 2014 he directed and co-created Cameron Mitchel-Ware’s one man show, Catch 23: Life After the Theatre Degree. He directed [title of show] for Ironic Pentameter Productions in 2011. He was last seen on-stage as Amos Hart in Chicago at Rivertown for which he won a Storer Boone Award for Best Supporting Actor in a Musical. Among Marc’s favorite roles are: Pseudolus in Funny Thing Happened on the Way to the Forum at JPAS, Rivertown and Carlones Dinner Theater; Major General Stanley in The Pirates of Penzance, the Cowardly Lion in The Wizard of Oz and Cogsworth in Disney’s Beauty and the Beast at JPAS; Burt in 42nd Street at Le Petit. His non-musical credits have included: 9 different characters in True Brew Theater’s Search and Destroy; Ira in Laughter on the 23rd Floor at Le Petit; Juror #4 in 12 Angry Men at True Brew Theater and Norman in The Boys Next Door for Chase Waites Productions among others.